Mixing / Production

Creating an environment where artists can flourish means building trust, understanding people and valuing everyone’s input.

When using a mono-making plug-in, is there a range of transition that sees stereo signals gradually taper into mono?

As a mix engineer, it’s your job to give clients what they want — but what they say and what they mean aren’t always quite the same...

Just how do professional engineers tackle the earliest stages of their mixes, and can the rest of us learn anything from their approach?