Mixing / Production

Most DAWs give you the power to control the volume of recorded audio on a per‑clip level — and with this power comes immense creative potential!

We show you how to get started in the brave new world of Dolby Atmos, using Logic Pro.

My band tracked some songs at a local studio using their Pro Tools rig and I want to mix the tracks at home in Reaper.

Whether it's getting rid of the audio you don't want or improving the audio you do want, skilled editing can be the key to making your multitrack project sound polished.

Today's multitrack software packages give us endless flexibility to manipulate the audio we've recorded, but the possibilities can be confusing to begin with. We introduce the tools of the audio editor's trade...

The Starcraft players of South Korea are the ultimate computer power users, and their skills and strategies have the potential to transform your DAW sessions.

In Cubase SX, can signals be 'routed' to a compressor's side-chain to modulate another signal?

All modern sequencers make it easy to enhance your arrangements with subtle tempo variations, but these facilities are often ignored.

In this final part of our series, we look at how the major project studio-oriented MIDI + Audio sequencers (DAWs) currently handle surround.