Catherine Marks talks to Kevin Paul about her traditional route into the industry as an assistant to Flood and Alan Moulder, plus her tips for how to approach a mix and get the best out of a track.
Kevin Paul talks to Record Producer and Mixer Danton Supple, who gives a fascinating insight into learning his trade at Sarm and Westside Studios during the 1980s and how he approaches the different roles of Recording Engineer, Producer and Mix Engineer.
Kevin Paul chats to producer engineer Gareth Jones about his impressive career at Mute Records and Hansa Studios in Berlin, working with bands such as Depeche Mode, Nick Cave & the Bad Seeds, Erasure and Goldfrapp.
From Eno Apprentice To Brit Award-winning Producer
Producer Fred Gibson (aka Fred again..) studied under Brian Eno and has worked with some of the biggest artists in the world. And his favourite microphone is the one built into his iPhone.
Few artists straddle the line between classical and electronic music with as much success as Anna Meredith. We talk to her about the creation of her recent Mercury‑nominated album.
Ross Orton talks to Nigel Humberstone about his transition from playing drums with Jarvis Cocker into the world of production, remixing and songwriting. His steel city stories include working with Arctic Monkeys & Working Men’s Club.
Devin Townsend turned producer because no-one else could capture his ambitious musical ideas. It led him on a 25-year learning curve that shows no sign of ending...
From ABC to Yes via Frankie Goes To Hollywood, Trevor Horn produced some of the most iconic records of the 1980s. In this feature video, Trevor talks about the art of record production then and now.
For her eagerly awaited new album, Florence Welch teamed up with one of the world’s hottest producers. Emile Haynie and Florence herself describe the making of High As Hope.