Sony’s first open‑backed headphones offer an intriguing alternative to the established classics in the field.
The Monitor 80 headphones are the more upmarket open‑backed cousin of the Monitor 60...
If you’ve invested in a pair of high‑end headphones, you’ll want a high‑quality headphone amp to power them. And headphone amps don’t get much better than this...
Thanks to their innovative driver technology, these audiophile cans could prove a valuable tool in the studio.
Audeze’s newest open-backed headphones were designed with the help of mix legend Manny Marroquin.
Hifiman’s mission to democratise premium headphone technology continues.
It’s useful to be able to work on headphones even when mixing immersive audio. Does Genelec’s Aural ID system make this easier?
No matter what headphones you prefer, Lake People’s versatile amps will feed them the right level.
Can headphones really replace a high‑end monitoring setup? Neumann seem to think so...
If you’ve spent money on serious headphones for critical listening, could it be worth investing just as heavily in your headphone amp?
Hong Kong brand OneOdio prove that studio headphones needn’t cost a fortune.
Embody’s Immerse Virtual Studio aims to replicate loudspeaker listening on headphones — and the newest variant does so in up to 7.1.6 surround.
How do Beyer’s new studio cans compare with the competition?
Rode’s innovative new cans bring fresh thinking to the world of headphone design.
Hifiman are driving the development of headphone technology at an impressive pace!
KRK’S latest cans offer quality sound, value for money and good isolation.
Sennheiser’s new studio headphones offer some serious bang for your buck.
The Hi‑X15s bring Austrian Audio’s proprietary headphone driver technology to the mass market.
Struggling to drive multiple set of cans? DACS have an amp for that...
We put AA’s new open-backed mixing and mastering headphones to the test.
Mackie’s latest cans prove themselves to be serious monitoring tools.
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