Wayne Jones talks us through a partnership with Sonarworks and a new range of monitors.
There are many high‑end converters that boast excellent specifications — but this one sounds good too!
SPL’s popular monitor controller updated with a range of welcome new features.
The new API MC531 offers a stand-alone version of the monitoring functionality built into the centre section of their analog consoles.
Powerful monitor-correction system now supports Dolby Atmos setups.
Trinnov’s pioneering range of room‑correction systems now has a dedicated monitor controller.
SPL combine their acclaimed headphone amps with monitor control facilities and USB audio interfacing.
Passive monitor controller features a subwoofer output and alternate Bluetooth 5.0 listening source.
We check out Grace’s compact, mastering‑quality solution for monitoring on the move.
The Control One and Marc One offer speaker switching, Crossfeed headphone amps, subwoofer outputs and more.
Firmware version 1.04 improves the quality and flexibility of the m908's room-correction filters.
The TC4 aims to make it easy to use mastering hardware with your DAW.
Immersive audio is increasingly important, and requires large multi-channel monitoring systems. Grace Design's m908 is intended to provide complete control over such a system.
A console manufacturer should know a thing or two about how to make a good monitor controller...
Technology has moved on in the 10 years since the original D Box was released — but the concept seems stronger than ever.
Dangerous were showcasing what they called "a dramatic redesign" of their Award-winning monitor controller...
Drawmer’s latest monitor controller puts the same impressive audio quality as their MC2.1 into a new desktop format.
UA’s updated Apollo Twin packs in more DSP power and improved audio performance.
Mackie have launched a complete modernisation of its popular Big Knob monitor...
At the AES show in LA, Radial Engineering's Peter Janus brings SOS Editor-in-Chief Radial...
Does TC’s latest post-production tool have anything to offer the music-making market?
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