Monitor Controller

In the age of mixer‑less studios, monitor controllers are on the rise!

There’s more to designing a quality monitor controller than meets the eye — or the ear.

With its clever Phonitor Matrix, this high‑end headphone amp aims to deliver a more speaker‑like listening experience.

Looking for hands‑on control of your monitoring? Hayakumo may well have the answer...

Audient bring immersive audio a little closer to home with a dedicated USB audio interface/monitor controller.

The RAM 1000 combines hands‑on speaker control with Bluetooth streaming.

The monitor controller is the hub of the 21st Century studio, and if you have the budget, Lake People’s MC100 has all the I/O you’ll ever need.

This digitally controlled monitor controller boasts an impressive array of features.

TC’s Monitor Pilot is a simple monitor controller with a small, wired remote control unit. The idea, of course, is...

There are many high‑end converters that boast excellent specifications — but this one sounds good too!

Why might you need a dedicated monitor controller — and what separates the good models from the bad?

Trinnov’s pioneering range of room‑correction systems now has a dedicated monitor controller.

SPL combine their acclaimed headphone amps with monitor control facilities and USB audio interfacing.

We check out Grace’s compact, mastering‑quality solution for monitoring on the move.

The TC4 aims to make it easy to use mastering hardware with your DAW.

Immersive audio is increasingly important, and requires large multi-channel monitoring systems. Grace Design's m908 is intended to provide complete control over such a system.

A console manufacturer should know a thing or two about how to make a good monitor controller...

Technology has moved on in the 10 years since the original D Box was released — but the concept seems stronger than ever.

Drawmer’s latest monitor controller puts the same impressive audio quality as their MC2.1 into a new desktop format.

UA’s updated Apollo Twin packs in more DSP power and improved audio performance.

Does TC’s latest post-production tool have anything to offer the music-making market?