Monitors / Monitoring

With room correction built in, KRK’s highly portable GoAux 4 speakers are designed to deliver usable monitoring in any space.

Looking for a powered sub to go with your monitors? KRK’s S10.4 160W Class‑D powered unit might fit the bill...

KRK’S latest cans offer quality sound, value for money and good isolation.

The KRK Rokit 7 G4 is a front-ported, bi-amped monitor with a DSP-powered EQ section, avaliable in five–, eight– and 10-inch variants.

KRK’s established V-series monitors have long been popular in the project studio, and now they’ve been given a major overhaul.

KRK’s distinctive–looking Rokits have long been popular in home studios. How does the newest generation fare?

Think three-way monitors are out of reach for your project studio? Think again...

KRK are well established in the world of studio monitors. Now they're expaning into the headphone market.

As the positioning of my workstation is a bit awkward, it would be great if I could place my KRK VXT8 monitors horizontally....

This hardware-based room correction system includes an audio interface and monitor controller. Is it the answer to your acoustics nightmares, or just too good to be true?

These monitors may look like their more expensive siblings, but do they also share the family sound?

The mid-priced studio monitor market is competitive. So what sets KRK's new offerings apart from the crowd?

KRK aim at the market for top-quality monitoring with these heavyweight new contenders.

More often than not, project studios don't have the luxury of a large room, so it's good to know that compact monitors like these KRKs can produce serious results in smaller spaces.

KRK's well-known V Series has been overhauled, making these active monitors even more tempting for the home studio owner.

KRK's new monitors use glass-fibre cone technology to offer a big sound for those on a budget.

This active nearfield monitor offers stunning audio performance from its extremely compact cabinet dimensions.

Monitor speakers affect nearly all the descisions we make when recording and mixing — yet most of us know very little about how they are designed, and why they sound the way they do. In the first of a new series, Phil Ward explains what goes into the design of typical passive nearfields, and the effects they can have on what we record.

Paul White road-tests the KRK V6 monitors to see whether quality has been sacrificed to meet an attractive price point.

Paul White cranks up his laser gramophone and takes the new KRK V8s for a spin.

Have KRK managed to preserve their family sound at this new low price point? Paul White gets ready to Rok...