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Monitors / Monitoring

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    Focal CMS40 & CMS Sub

    Active Monitors

    Focal’s CMS range of active monitors has been expanded with the compact CMS40s and the sizeable CMS Sub. Do they work well as a team?

    Reviews Dec 2011
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    Fostex PM0.5n

    Active Nearfield Monitors

    Can such attractively priced studio monitors really do the job of presenting your mixes accurately?

    Reviews Nov 2011
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    Mackie MR5 & MR8 Mk2

    Active Monitors

    Mackie have updated their MR range of affordable powered speakers, endowing these Mk2 versions with new drivers and re‑voiced amplifiers. We put them to the test...

    Reviews Oct 2011
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    Shure SRH940

    Studio Headphones

    Shure are recent arrivals in the pro headphone market. Do their new flagship cans measure up against more established names in the field?

    Reviews Oct 2011
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    Blue Sky Sat 6.5 EXR

    Active Nearfield Monitors

    Blue Sky have earned a strong reputation for their sealed-cabinet speakers, but in their latest model they’ve opted for a ported design. How do the newcomers compare with their infinite‑baffle cousins?

    Reviews Sep 2011
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    Sony MDR7550

    Dynamic In-ear Monitors

    Sony’s top-of-the-range dynamic in-ear monitors have a kind voice, with all the volume and extension you’ll need for stage use and on-the-move mixing.

    Reviews Sep 2011
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    JBL PRX615M

    Active Monitor & PA Speaker

    Using advanced DSP and squeezing a 15‑inch driver into a compact cabinet, JBL’s lightweight PA promises convenience, volume and clarity in abundance.

    Reviews Aug 2011
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    Neco Soundlab Portable V2

    Dual Mono Headphone Amplifier

    Hugh Robjohns gets to grips with this reasonably-priced headphone amp.

    Reviews Aug 2011
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    Tannoy Reveal 501A

    Active Nearfield Monitors

    Tannoy’s Reveal monitors have long been popular among home‑studio owners on a budget. How does the baby of the new range compare with the competition?

    Reviews Aug 2011
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    PSI Audio A17M & A21M

    Active Monitors

    These compact monitors from Swiss company PSI incorporate some very clever technology, including ‘Class‑G’ amplification, that helps put them in a class of their own!

    Reviews Jul 2011
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    Samson Studio GT

    Nearfield Monitors & USB Interface

    Before you can call your computer a studio, you need at least two things: a means of getting audio into your computer, and some way of listening back to it. Enter the Samson Studio GT!

    Reviews Jun 2011
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    Dynaudio BM5A MkII

    Active Nearfield Monitors

    The original BM5A monitor speakers proved very popular in project studios, and Dynaudio claim to have made significant improvements in their successors.

    Reviews May 2011
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    Quested V2108

    Active Two-way Studio Monitors

    The original VS2108 design was a real success for Quested — so when they said they'd improved it, we thought we'd better test that claim...

    Reviews Apr 2011
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    KRK KNS 8400

    Studio Headphones

    KRK are well established in the world of studio monitors. Now they're expaning into the headphone market.

    Reviews Mar 2011
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    Prodipe Pro 5 Ribbon & Pro 10S

    2.1 Monitoring System

    These nearfield ribbon monitors deliver a less fatiguing sound than some - but does smoothness come at a cost?

    Reviews Mar 2011
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    Acoustic Energy ProSat & ProSub

    2.1 Monitoring System

    Acoustic Energy look to strengthen their foothold in the studio monitoring market with this impressive nearfield system.

    Reviews Feb 2011
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    Fostex PM0.4n

    Desktop Monitors

    Paul White checks out a solution to those studios limited on space (and finances) in need of a good set of monitors.

    Reviews Feb 2011
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    Genelec 8260A

    Three-way DSP Reference Monitors

    They may have the familiar Genelec appearance and family sound, but these big beasts bring some new ideas to the table.

    Reviews Jan 2011
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