What are your opinions on having a subwoofer in the studio? I recently demoed the Blue Sky Media Desk 2.1 system and I was very impressed by its quality and its price...
This high-quality passive monitor controller can cater for five stereo input sources and three pairs of speakers, with built-in cue monitoring and talkback functions.
Is it best to use table-top stands, floor stands or wall brackets to mount my speakers? I have Mackie HR624s, which are not ported, so does it matter if they're positioned close to the wall? SOS Forum Post
Although perhaps better known as a leading UK manufacturer of hi-fi speakers, Mission have now launched their first active nearfield specifically designed for studio use.
I understand the benefit of having 'limited-range' monitors alongside full-range monitors so that you can hear what your mixes will sound like on small domestic hi-fi systems. But what advantage is there in buying these monitors for £250, when a cheap pair of hi-fi speakers can cost as little as £30?
I'd like to know more about the difference between monitor designs that feature ports and those that do not. How do they differ in terms of sound and performance?
Tannoy's latest-generation Ellipse technology has been combined with DSP processing from TC Electronic, creating a versatile and powerful high-resolution monitoring system.
How much distance should there be between my monitors and should they face straight forward or be angled toward the listener? Also, as my monitors will be placed against a wall, should some acoustic foam be placed directly behind or between them?
Event up their game once again with their best-ever design for project-studio monitoring. But have they come far enough to continue to face off the competition?
I'm considering the purchase of two sets of headphones: the AKG K240DF (flat response) for mixing, and the K271 (coloured response) for musicians to wear when monitoring their own signal, giving them the best sound for inspiration and encouragement. Would these models be suitable for these applications?
Learn how to choose and use on-stage speaker or headphone monitoring systems. After all, if you can't hear what you're doing, then your live performances are going to suffer.
These monitors may look good, but they're actually meant to sound bad! Specifically, they are designed to replace the Auratone 5C and Yamaha NS10M as the discerning mix engineer's 'grot box' of choice.