Monitors / Monitoring

AA’s latest cans employ their successful high‑excursion driver in a new on‑ear design.

Avantone’s take on the classic NS‑10 is now available in powered form. We fire them up...

Having mastered the dynamic microphone, US company Audix turn their attention to headphones — with impressive results.

Re‑Head aims to offer headphone users a loudspeaker‑like listening experience.

Amphion’s innovative FlexBase system offers true‑stereo sub‑bass in a single speaker cabinet.

Unity are known for their uncompromising approach to studio monitoring, and their latest design doesn't disappoint!

What exactly is the crossover frequency in studio monitors, and how much attention do I need to pay to that spec?

PreSonus' popular Eris range has been given an XT upgrade. We put them to the test!

If you thought earbuds were a compromise, think again...

Speaker-building is an established art, but occasionally it can still yield surprises — such as the strange and wonderful Baby Reds.

The new flagship of ADAM's T‑series offers serious bass extension even for those with limited budgets.

The TC4 aims to make it easy to use mastering hardware with your DAW.

Correcting the frequency response of a monitoring system is one thing, but Dirac claims to correct time-domain response too. Can it possibly work?

Realphones aims to put all the software tools you need for perfect headphone monitoring in one neat package.

Both technically and sonically, these open-backed headphones represent a breakthrough in portable monitoring.

I want to get a subwoofer for mixing in my home studio, but I've no idea how much I need to spend to make it worthwhile...

Everyone is listening to music on headphones these days

ADAM's new sub is an affordable way to add serious bass to your monitoring system.

Dynaudio's premium Core series grows apace with the launch of a new three-way model and a powerful subwoofer.

Immersive audio is increasingly important, and requires large multi-channel monitoring systems. Grace Design's m908 is intended to provide complete control over such a system.

If one of your ears is more sensitive than the other, setting a stereo image by ear will result in all your recordings having a skewed stereo soundscape. Is that correct?