Pioneering digital amplifiers are combined with PMC's proven transmission-line cabinet designs to deliver spectacular monitoring performance at a project-studio price.
I've heard of having a subwoofer in your studio in combination with your monitors to reproduce the extra-low frequencies, but why would anyone use two?
This new infinite-baffle 2.1 monitoring system incorporates some unusual technology, including cabinets cast from aluminium-zinc alloy. But do these innovations translate into a cutting-edge sound?
The new baby of the Blue Sky range brings their design philosophy to the small computer studio. But will the 'satellite plus subwoofer' configuration and closed-box speaker loading work as well on a small scale as it does in the company's larger systems?
What are your opinions on having a subwoofer in the studio? I recently demoed the Blue Sky Media Desk 2.1 system and I was very impressed by its quality and its price...
This high-quality passive monitor controller can cater for five stereo input sources and three pairs of speakers, with built-in cue monitoring and talkback functions.
Is it best to use table-top stands, floor stands or wall brackets to mount my speakers? I have Mackie HR624s, which are not ported, so does it matter if they're positioned close to the wall? SOS Forum Post
Although perhaps better known as a leading UK manufacturer of hi-fi speakers, Mission have now launched their first active nearfield specifically designed for studio use.
Tannoy's latest-generation Ellipse technology has been combined with DSP processing from TC Electronic, creating a versatile and powerful high-resolution monitoring system.