I wear custom-made earplugs when I go to live gigs, to protect my hearing. These have physical (and therefore passive) filters, but I find that their frequency response is less than ideal...
I have a budget of about £200 to £500 for a pair of active nearfield monitors but would be happy to pay more if a noticeable benefit could be obtained. What do you recommend?
Every article I have read on the subject of mixing states that you want to have an 'uncoloured' room sound. So wouldn't it be better to mix using headphones, which will have no issues with room acoustics at all?
I'm interested in buying a pair of Alesis Monitor 1 MkIIs. Should I buy the passive versions and a good amp or just go for the active versions, which cost £100 more?
I read recently that when top engineers check their mixes in mono, they don't just hit a mono switch, but instead route the mix through a single speaker to hear it in true mono...
There are many decisions to be made when choosing a monitoring system. Infinite baffle, reflex, or transmission line? Active, powered, or passive? Bi-wired or bi-amped? We help you find the answers you need.
I've heard of having a subwoofer in your studio in combination with your monitors to reproduce the extra-low frequencies, but why would anyone use two?