Monitors / Monitoring

Can these unconventional plastic-bodied speakers possibly be suitable for studio work?

Can a compact system offer true reference monitor performance?

EMES have developed the first studio monitor to use a patented new single-point stereo speaker technology. Hugh Robjohns tests the Owl System and compares it with the conventional Violett HR on which it is based.

Hugh Robjohns tests the AML1, and discovers that PMC can actually get a quart from a pint pot.

It is a good general rule that miniature monitors are rarely of reference quality, but Leema Acoustics claim to have created an exception.

Hugh Robjohns tests an innovative full-range speaker system, which somehow manages to get 12 separate drivers working in harmony.

A new high-specification VIFA speaker cone makes its debut in AVI's latest compact monitors. Paul White puts them to the test.

Paul White evaluates a new active monitor designed to deliver professional studio accuracy at a home-studio price.

Quested have addressed the negative points of our previous F11 review, and incorporated a few small but significant improvements along the way. In the process, they've updated the original F11, and introduced a new passive version, the F11P.

Quested have not only updated the original F11, but also introduced a new passive version, the F11P.

Paul White tests ATC's T16 monitors, which combine space-age looks, solid engineering and a detailed, accurate sound at a surprisingly attractive price.

Hugh Robjohns tests a new monitor that has already acquired some major users.

Paul White tests AVI's updated 'Red Spot' version of their Bigga-Tron monitors and finds out if this offers a worthwhile improvement.