I read recently that when top engineers check their mixes in mono, they don't just hit a mono switch, but instead route the mix through a single speaker to hear it in true mono...
There are many decisions to be made when choosing a monitoring system. Infinite baffle, reflex, or transmission line? Active, powered, or passive? Bi-wired or bi-amped? We help you find the answers you need.
I've heard of having a subwoofer in your studio in combination with your monitors to reproduce the extra-low frequencies, but why would anyone use two?