If you don't think the sampler can be a musical instrument, then you haven't been listening to the music of Amon Tobin!
A new Massive Attack album is always an event, and this year's 100th Window was perhaps the most eagerly anticipated yet. Like its predecessor Mezzanine, it was co-produced and co-written by Neil Davidge.
The argument over what's considered to be real music goes on and on (and on and on)...
While Linux might not be ready to run your entire studio just yet, it could provide an ideal solution for a cheap additional computer to handle your everyday computing tasks, keeping the music computer safely isolated.
SOS reader Declan Flynn has been pursuing a career in the industry for a long time, since he became fascinated with electronic music as a teenager and bought his first synth and drum machine.
Unquestionably the best-known name in synth design, in 2003 Bob Moog was still creating innovative electronic instruments. With the new Voyager synth about to hit the shops and the rights to use his own name restored, his star seems to be on the rise once again. SOS chats to this founding father...
Glen Ballard was already a first-call songwriter and producer in LA — and that was before a young, unknown singer called Alanis Morissette walked into his studio...
Music software companies have warned us about the effects of piracy since the dawn of history; but are we now starting to see the results as smaller companies become absorbed into larger corporations?
When you launch a new product, it's always best to have a clear message. You buy a dishwasher because you hate washing up, you buy a car because you can't walk 20 miles to work, or wait for the bus that comes once a week; and you buy a Microsoft Smart Display because, um...
Paul White shines the spotlight on worrying proposed changes to the UK's live music licensing laws...
Twenty years after Steve Levine first produced Culture Club, he reveals how he has been using a new generation of digital tools to restore those original recordings.
One of Hollywood's most intelligent composers, Elliot Goldenthal is equally adept at writing for the big screen as the concert hall or theatre. We talk to him about his background and approach to composition, technology and orchestration.
More words of wisdom proferred by SOS Editor-in-Chief Paul White.
Many people love the idea of laptop recording, but few have put it into practice like 1 Giant Leap. Their acclaimed album and DVD project was recorded on an Apple Powerbook during a six-month journey round the world — with a little help from some friends...
Producer and engineer Elliot Mazer is well known for his ongoing work with Neil Young, and was there at the birth of digital recording. Like Young, however, he's never been happy with the way it sounded — until now.
When it comes to digital rights management, downloading music illegally isn't really the problem — it's our obsession with it.
Well-known jazz musician John Scofield has spent the last five years updating his sound with the help of modern technology and new collaborators - including innovative guitarist Avi Bortnick.
Propellerhead, makers of the unique Reason software studio, have come from nowhere to award-winning developer status in just eight years. We catch up with one of the key men behind this small but influential Swedish company.
Although we don't usually cover commercial studios in Readerzone, Andy Cross's small Zoo Audio studio has found its way here because it is one of the few studios in the country to contain an Esmono recording booth.
With the cult triple album 69 Love Songs, Stephin Merritt established himself as one of the most remarkable songwriters around. The Future Bible Heroes' new album sees his trademark lyrical cleverness paired with Chris Ewen's distinctive, organic electronica.
