For a man who likes to work quickly in the studio, David Axelrod's new album has taken an awfully long time to make — 33 years, to be precise. Meanwhile, his groundbreaking '60s and '70s productions have become a crucial resource for the biggest names in hip-hop.
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TC‑Helicon's revolutionary VoiceCraft card for their VoicePrism processor allows the user to radically reshape the whole character of a vocal sound, adding tonal and inflectional changes that go way beyond the capabilities of current voice processors. Paul White talks technology with designer Fred Speckeen.
Although he started his working life as a producer, Tom Lord-Alge chose to narrow his field of work, and now ranks alongside Bob Clearmountain and his brother Chris Lord-Alge as one of the best mix engineers in the world. We discover what makes a TLA mix tick...
Regular SOS readers may have noticed Ken McBeth, a DIY analogue synth builder for over 10 years, guesting as the columnist in last month's Net Notes. We sent Paul Nagle to bonnie Scotland (where else?) to find out exactly what makes this constructor of kitchen‑table instruments tick...
Since coming to prominence through his work with the KLF, Spike Stent has become one of the most sought-after mixers in the world. Paul Tingen visits him in his new purpose-built London studio to talk about the role of the specialist mixer.
Boss of the highly successful and determinedly independent Mute Records, Daniel Miller is one of the UK music industry's unsung stars. Bill Bruce celebrates 20 years of Mute with the man himself, looking back on such highlights as his work with Depeche Mode — and takes a rare tour of Miller's superb home studio.