Eventide have announced the immediate availability of a new channel strip plug-in named the UltraChannel: a 64-bit...
From new company Surreal Machines - co-founded by Ableton’s Matt Jackson and collaborator Pete Dowling - Dub Machines...
Eschewing the ‘mix and match’ philosophy of most amp modellers, Brainworx have turned their attention to capturing entire recording chains.
UVI's rainbow‑hued reverb plug‑in is designed to help you instantly find the right ambience for your mix.
The market for reverb plug-ins is crowded, but Exponential Audio hope there's space for two more high-quality designs...
You wait ages for a Virtual Buss Compressor, and then three come along at once.
If you're willing to pay for the best, CEDAR Audio's suite of plug-in processors could give you results that justify the investment.
Pitch correction of vocal parts is now commonplace in all but a few genres. Find out how to craft a professional-sounding result.
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The Holy Grail of location recording is the ability to isolate the sound of a source from that of the space in which it was recorded. Have Zynaptiq found it?
When I'm doing vocal pitch-correction, should I include breath sounds if I'm trying to get the sound to be realistic? I'm...
Pitch-correction plug-ins are the key to the current trend for weird vocal effects. Here’s how to achieve them in Pro Tools.
DMG Audio’s innovative plug‑ins combine friendly interfaces with an amazingly comprehensive feature set. Could they be the only EQ and compressor you’ll ever need?
The idea that loud digital masters can retain real dynamics seems like a contradiction in terms, but it's exactly what Slate Digital are claiming for their new mastering plug-in.
BIASs latest plug-in promises a quick and easy path to a modern vocal sound.
In its new Direct Note Access, the latest version of Celemonys Melodyne introduces what might just be the most hotly anticipated piece of music technology ever. Will mixing and remixing ever be the same again?
A couple of years ago, the bass player in my band announced proudly that he'd bought himself a Markbass combo. I wasn't very...
Most of us cannot afford to have Tony Maserati mix our tracks — but thanks to Waves, we can now use his personal effects and processing chains in our own mixes.
Auto-Tune has been the industry-standard pitch-correction tool ever since its 1997 release. Does the latest Evo version keep the competition at bay?
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