The ISA preamp range has graced professional recording facilities the world over — but this classy single-channel model is within reach of the home and project studio.
Following on from last month's sneak preview, here's the full SOS hands-on test: If you're looking for characterful compression and EQ to warm up your computer-based mixes, Focusrite's Liquid Mix might just be the answer.
Focusrite hot up the competition by offering eight channels of Platinum-series preamplification, with optional digital conversion, at a surprisingly affordable price point.
Combining Focusrite's cutting-edge preamplification and A-D conversion with Sintefex's pioneering convolution technology, the Liquid Channel can mimic the most celebrated mic preamps and compressors ever designed. Could this be the only voice channel you'll ever need?
DSP convolving techniques now allow us to 'sample' the sound of real reverberant spaces, and even other digital reverbs. But why stop at reverb? Focusrite's Liquid Channel can be used to reproduce the effect of classic compressors and even mic preamps...
What advantages are there to variable input impedance? • How can I extract loops from audio sample CDs? • Can I use the True Tape option in Cubase to prevent clipping? • Should I use S/PDIF or AES for long cable runs? • Can you have too much low-frequency absorption? • What's the best way to use the multiple filters on my soft synth?
Focusrite expand their affordable Platinum range with a channel strip, featuring an optical compressor and EQ that can be optimised for vocal or instrument usage.