Not content with having created arguably the world’s best preamp booster, Royer’s boffins decided to make it better.
The 67A adds some useful features to a nice Altec valve preamp emulation.
Ever fancied trying different output transformers in your mic preamp? Then check out the P1...
The audio files available on this page accompany my review of the...
H2 aim to put the legendary sound of Olympic Studios in your 500‑series rack.
Could this modern spin on a classic British trio be the perfect analogue front end?
Is this the perfect partner for acoustic bass?
Can Leapwing’s latest plug‑in really sprinkle some Al Schmitt magic on your recordings?
RME’s 12Mic packs 12 preamps into a single networked box.
Though billed as a high‑quality single‑channel mic preamp, the EC1 is a whole lot more.
Love the sound of high‑end analogue kit, but don’t have the space or the money to buy it? No problem...
Mayer’s all‑analogue tape emulation is joined in the 500 series by a mic preamp and limiter.
API celebrate half a century of their iconic preamp design with a reissue for the 500 series.
This feature-packed channel strip pairs a vintage mic preamp design with a Pultec-style inductor EQ.
Does Neumann's first standalone mic preamp live up to their enviable reputation?
Though more affordable than high-end parent brand BAE, UK Sound's gear certainly isn't bargain-basement stuff!
With added functionality and improved specs, this great preamp just got better.
This remote-controllable preamp boasts some unusual features aimed largely at the live-sound market.
Could this be the perfect partnership between vintage vibe and contemporary convenience?
Retro‑Flyer adds an impedance-matched preamplifier and a mid-range EQ, plus stereo tremolo, to 73-note and 88-note Mk1 and Mk2 Rhodes pianos.
Want to combine the freedom to choose EQs and compressors with the convenience of a single plug‑in? PSP may have the answer...
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