The Dbx Mini Pre is a simple and inexpensive mic preamplifier with phantom power, using a hybrid valve/solid‑state mic...
Focusrite expand their affordable Platinum range with a channel strip, featuring an optical compressor and EQ that can be optimised for vocal or instrument usage.
The Blue Tube preamp accepts both mic and instrument inputs, and lets you add as much tube warmth as you like using real valve circuitry.
TL Audio's successful Fat 1 stereo compressor now has a new sibling with its own built-in mic preamp. Paul White delivers the SOS verdict.
Aphex have provided an elegant way to avoid the detrimental effects of long cable runs on delicate mic signals. Hugh Robjohns evaluates the Model 1788.
Dbx's new input channel combines tube processing with their renowned Type IV digital conversion.
Paul White looks at a new voice channel which packs a lot of features into a small space.
Paul White tests Yamaha's new rival to the Pod and J Station modelling guitar preamps.
The application of both traditional principles and some innovative electronic design work affords this dual-channel preamp impressive performance. Hugh Robjohns likes what he hears.
Martin Walker looks at a handy half-rack unit which could provide an ideal front end for your computer-based recording system.
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