The Fostex DMT8 was the first affordable 8-track digital recorder with a simple cassette multitracker-style user interface. Now, there's the new DMT8VL, which costs less and has fewer features than its forerunner, but also boasts a couple of improvements to the original design. Paul White is determined to remain unconfused.
Tascam, the originators of the Portastudio concept, which is now almost 25 years old, have taken a fresh look at the format for the 90's, substituting the digital MiniDisc medium for the analogue tape which has served home recordists so well, and adding a clutch of brand-new features. Hugh Robjohns indulges in a little 4-play.
Creamware's recently-updated, PC-based TripleDAT system attempts to offer a halfway house solution to those who've outgrown their MPC audio system, but can't afford a professional digital recording setup. Brian Heywood is the cat who gets the Cream(ware)...
Panasonic's latest pro studio DAT is priced to compete with Tascam's established DA30 MkII. Paul White gives his professional opinion on how it measures up.
The latest in Akai's line of standalone hard disk recorders, which also includes 8- and 16-track models, sticks with the 4-track format of its predecessor, the DR4d, but adds 250 'virtual' tracks to increase the flexibility it can offer. David Mellor checks out this low-cost entry into the world of disk recording.
With the advent of digital portastudios, manufacturers are busily revamping their analogue machines and packaging them full of more features. Andy Davies checks out Tascam's latest cherry...
Using MD Data disks to deliver superb quality digital sound in a familiar package, does Yamaha's digital 4-track finally sound the death knell for the humble cassette multitracker? Paul Ward spins the wheel of fortune...
Tascam revolutionised home recording with their cassette-based Portastudio, but haven't yet offered a budget digital version to compete with the Fostex DMT8/D80 and Roland VS880. Now their 4-track MiniDisc-based 564 is almost ready. Paul White gets a sneak preview...
Can Tascam's lean, mean DA38 offer musicians more functionality than the portlier DA88 without compromising on quality — and give the Alesis ADAT XT a run for its money? Paul White investigates.
The battle for control of the affordable digital multitracker market has intensified in 1996. Paul White puts Fostex's latest weapon, the rackmounting D80, to the test.
Though hard disk recording offers possibilities far beyond those achievable with magnetic tape, it often sports a vastly more complex user interface, which can alienate the tape-based faithful. But Akai's new 16-track hard disk recorder seeks to meet the tape heads halfway, David Mellor plays ambassador...
Hot on the heels of Fostex's DMT8 Roland's new VS880 offers another take on the affordable digital multitracker concept. But as Paul White discovers, beneath the apparent similarities lie significant differences...
Having led the way in the '80s sampling revolution, Emu have turned their attention to the '90s discipline of hard disk recording with the Darwin digital recorder. Paul Ward checks out the new species on the block...
Paul White visits the future of home recording, where tape heads never need cleaning, cassettes never jam and mistakes can be undone at the touch of a button.
Keen to get into PC hard disk recording? Samplitude Studio, the top of an impressive range of programs from German manufacturers SEKD, is one of the cheaper options available — but it's certainly not short on features. Panicos Georghiades and Gabriel Jacobs are mightily impressed...
This new French program must be one of the cheapest ways of integrating digital audio and MIDI sequencing. Panicos Georghiades and Gabriel Jacobs put it through its paces.