His quest to capture the spirit of Avebury led former Radiophonic Workshop composer Steve Marshall to develop some unique experimental recording techniques.
I need to do some recording of spoken word, using a cheap and cheerful lavalier mic, but it’s noisy — there’s a steady ‘hiss’. Is there some plug-in that can reduce said noise, perhaps by taking a sample of it and then adding it out of phase?
Keeping the BBC’s flagship classical music show at the top of its game requires serious engineering skill — and the ability to cope with the unexpected!
I have a very high quality D-A converter that boasts particularly low clock-jitter figures, so I thought it would be an ideal candidate to serve as a master clock — yet it doesn’t have a word-clock output socket!
Cappellino is one of Nashville’s most respected engineers. In this second video, we go behind the scenes and gain unprecedented access to a vocal recording and comping session with singer Heather Bond. Pick up useful tips for speeding through vocal recording while achieving a great result and find out how Neal puts together the perfect take.
Why does everyone, pros and all, say that the snare bottom mic is ‘out of phase’, and that its polarity must be reversed? Isn’t it the top mic that should be reversed?
Will the audio quality from an Allen & Heath XB-10 paired with a JK Audio Innkeeper telephone hybrid be better than the Allen & Heath ZED-10, also paired with an Innkeeper?