Recording

Daniel Moyler is a freelance mix engineer who was awarded Engineer Of The Year at the MPG 2020 Awards and won a 2021 Grammy for his engineering work on Dua Lipa's album Future Nostalgia.

Sam Inglis talks to Francine Perry, artist, producer and mix engineer, about her career so far and being nominated in the Rising Star category for her work with Beth Orton, Erasure and HAAi while based at Mute Studio.

Cecil (Adam) Bartlett is a London-based producer who talks to Sam Inglis about his career so far and being nominated in this year's Breakthrough Producer Of The Year category for his work on Here Is Everything by The Big Moon.

Manon Grandjean is a freelance mix engineer who has previously won three Music Producers Guild Awards. This year she's been nominated again for Mix Engineer Of The Year 2023, this time for her work with artists Flo, Fyfe & Iskra Strings and Milk & Bone.

Mikko Gordon is a Grammy nominated mixing engineer and record producer based in London. This year he's nominated by the Music Producers Guild for Recording Engineer Of The Year and Album Of The Year along with Nigel Godrich for The Smile: A Light for Attracting Attention.

Catherine Anne Davies, also known as The Anchoress, is a songwriter, multi-instrumentalist and producer. Sam Inglis talks to her about being nominated for Self Producing Artist in the Music Producers Guild Awards 2023.

American producer, engineer and mixer Ed Stasium nominates the drum sound on Living Colour’s ‘Love Rears Its Ugly Head’ as a particular favourite.

Paul White explains how to get the best out of Amp Simulation software, from achieving a good guitar input signal, setting up effective monitoring for encouraging the best performance and tips on obtaining the desired end-effect.

Richie Hawtin takes us through a seminal Plastikman album — and its unexpected sequel.

Songwriting today is about collaboration, capturing moments of inspiration and polishing them ’til they shine. Blake Slatkin is a master of the art.

American record producer, engineer and mixer Bob Clearmountain unpacks Neil Finn’s vocal from the Crowded House track ‘I Feel Possessed’.

Producer and mix engineer John Feldman details how he got his favourite vocal sound on the Used’s 2002 debut single.

These gadgets might not be the most glamorous devices, but at some point in your recording adventures you’ll probably find you need each and every one.

Britain’s most high‑profile rapper has made his most ambitious album yet — with a little help from his friends.

Gilla Band’s new album is one of the least normal things you’ll hear this year...

London‑based record producer, programmer and session musician Andy Wright chooses the drum sound from ‘Dirty Mind’, on Jeff Beck’s 2000 album You Had It Coming.

Ricky Reed has worked with a multitude of artists across a huge range of genres, most recently delivering a string of huge hits for Lizzo.

In part four of his recording series Mark Mynett details how to prepare a vocalist for studio recording and how to select and set up your recording equipment for optimal results.

We engage in some audio archaeology to discover how a pioneer of electronic music created one of her most important works.

The legendary Decca recordings of Wagner’s Ring operas were always envisioned as immersive listening experiences. They’ve now been restored as exactly that!