Recording

With their oblique, short and often brutally noisy songs, The Pixies reinvented rock music at the turn of the '90s, and influenced almost everyone who picked up a guitar in the following decade. Producer and engineer Gil Norton helped them to shape their breakthrough single.

With his searing version of 'All Along The Watchtower', Jimi Hendrix set a standard for Dylan covers that has rarely been equalled. Eddie Kramer was behind the glass as the sessions moved from London to New York.

The Hollies were the third artist in as many years to cut Albert Hammond and Mike Hazelwood's pop ballad, yet it was their version that became a worldwide top 10 hit. In 1974, Alan Parsons was behind the mixing desk at Abbey Road for the recording.

This issue's Studio SOS comes to you from the other side of the world, as we help an Australian reader sort out his vocal recordings.

In 1982, the Pretenders responded to desperate circumstances with some of the strongest material they would ever produce. Engineer Steve Churchyard was there to record it.

Disco was an American phenomenon, but its greatest hits were recorded in France by an English band who were trying to play R&B...

Recording acoustic keyboard instruments in a home environment can be pretty demanding, but with a little care you can still get professional results.

Producer/engineer Peter Henderson spent nine months recording an album that neither he nor the A&M label could afford to fail. Yet when he handed in the masters, Henderson was convinced that Supertramp's Breakfast In America would finish his career...

Queens Of The Stone Age's fourth album Lullabies To Paralyze has cemented their position as the biggest and most exciting rock band in the world. Engineer and co-producer Joe Barresi describes the combination of old-school technique and far-out experiment that went into its making.

Disagreement can be destructive, but it can also drive a band on to new heights. So it was when 10cc's Kevin Godley turned up his nose at a love song penned by Eric Stewart and Graham Gouldman, insisting that it would have to be completely reinvented in the studio...

The Who's final album with Keith Moon took almost a year to record and pushed the band to the limit. Engineer and producer Jon Astley tells the remarkable story behind Who Are You?'s title track.

East Norfolk Sixth Form College needed help integrating their hardware multitracker with their computer sequencing system, so the SOS team travelled over to Great Yarmouth to lend a hand.

They might have been the greatest production team of the disco era, but even Nile Rodgers and Bernard Edwards could fall victim to the elitism of New York's club scene — and their response was the most memorable of all Chic's hits.

Producer Stephen Hague took New Order into the studio with an ambitious brief: to write and record a single that would break the band in America.

Celebrities from around the world were keen to contribute to a fund-raising single for victims of the Asian tsunami, and converting all of this goodwill into a finished record required innovative use of broadband Internet to collect together their performances.

As the '80s drew to a close, The Stone Roses made rock music cool again, melding '60s psychedelia and acid house under the production guidance of John Leckie.

Stephen Street made his name as an engineer working with one of the most influential indie bands ever. He describes the sessions that created the title track of The Smiths' most celebrated album.