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Recording

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    Classic Tracks: Freeez ‘IOU’

    Producer: Arthur Baker

    The result of an extraordinary collaboration between Arthur Baker and London band Freeez, ‘IOU’ was a pioneering hit of the electro genre.

    Techniques . Aug 2022
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    How I Got That Sound: Matt Squire

    Underøath ‘On My Teeth’

    Asked to pick a favourite sound from his huge discography, Matt Squire nominates the track ‘On My Teeth’ from Underøath’s 2018 album, Erase Me.

    Techniques Aug 2022
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    Mark Mynett - Senior Lecturer in Music Technology and Production at Huddersfield University

    Recording Drums | Podcast

    Pro Techniques Explained

    Mark Mynett, Sound Engineer and Senior Lecturer in Music Technology and Production, talks us through the setup and recording of live drums.

    Techniques Aug 2022
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    How I Got That Sound: Alan Parsons

    Alan Parsons Project ‘The Eagle Will Rise Again’

    Asked to pick a favourite from the innumerable sounds he’s committed to tape, Alan nominates the unique keyboard sound on ‘The Eagle Will Rise Again’, from the third APP album Pyramid.

    Techniques Jul 2022
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    How I Got That Sound: Stabbing Westward

    ‘Drugstore’

    Asked to pick a favourite sound from the band’s influential catalogue, Walter Flakus dives into the track ‘Drugstore’, from 1998 album Darkest Days.

    Techniques Jun 2022
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    How I Got That Sound: Poo Bear

    Justin Bieber ‘Habitual’

    Poo Bear, the American two‑time Grammy Award‑nominated songwriter, producer and principal collaborator of pop megastar Justin Bieber, chooses his own favourite vocal on a track from Bieber’s Changes album.

    Techniques May 2022
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    Mike Plotnikoff: How To Record Electric Guitars

    The Guitar Man

    One of the world’s leading engineers specialising in rock music, Mike Plotnikoff is renowned for his guitar sounds. The secret? Find the right amp and keep it simple.

    Techniques May 2022
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    How I Got That Sound: Thorsten Quaeschning

    Tangerine Dream ‘Los Santos City Map’

    Asked to nominate his favourite sounds he’s created on record, the Tangerine Dream leader picks a track composed for the soundtrack of the video game Grand Theft Auto V in 2013.

    Techniques Mar 2022
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    How I Got That Sound: Howard Benson

    POD ‘Youth Of The Nation’

    Grammy Award‑winning American producer Howard Benson discusses how he achieved the drum sound on POD’s 2001 hit ‘Youth Of The Nation’.

    Techniques Feb 2022
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    Idles

    Recording Crawler

    For their latest album, Crawler, Idles guitarist Mark Bowen adopted the role of producer for the first time.

    Techniques Feb 2022
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    Eve Studios owner Martin King

    Radiophonic Recording At Eve Studios

    VIDEO FEATURE

    It's more than 20 years since the BBC closed their legendary Radiophonic Workshop, but its spirit lives on in the Radiophonic Room at Manchester's Eve Studios.

    Techniques Jan 2022
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    Tim Carroll & Will Hoult of Focusrite

    Focusrite - Scarlett Interfaces | Podcast

    Behind The Brand

    It's 10 years since Focusrite launched their best-selling Scarlett range of audio interfaces, now into its third generation. CEO Tim Carroll and Will Hoult, Head Of Product at Focusrite and Novation talk to Sam Inglis about what's behind the success of the Scarletts.

    Music Business Jan 2022
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    How I Got That Sound: Tom Syrowski

    Incubus ‘In The Company Of Wolves’

    Recalling his favourite sound, LA‑based producer and mixing engineer Tom Syrowski chose the vocal on Incubus’ 2011 track, ‘In The Company Of Wolves’.

    Techniques Jan 2022
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    How I Got That Sound: Danny Elfman

    Danny Elfman ‘True’

    Elfman recently released his latest solo album, Big Mess, and chose a track from the album as his favourite sonic achievement.

    Techniques Dec 2021
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    Classic Tracks: Wire ‘Outdoor Miner’

    Producer: Mike Thorne • Studio: Advision

    The three albums Mike Thorne produced for Wire showed that there was much, much more to punk than met the eye.

    Techniques Dec 2021
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    How I Got That Sound: Andrew Maury

    Lewis Del Mar ‘Loud(y)’

    New York‑based engineer and producer Andrew Maury, when asked to pick a favourite sound that he’s worked on, nominates the drum mix he created for Lewis Del Mar's ‘Loud(y)’.

    Techniques Nov 2021
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    How I Got That Sound: Martin Landquist

    A‑ha ‘Lifelines’

    Landquist reveals how he got his favourite sound on A‑ha’s ‘Lifelines’, the 2002 title track to the Norwegian synth‑popsters’ seventh studio album.

    Techniques Oct 2021
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    How I Got That Sound: Tim Palmer

    Pearl Jam ‘Black’

    When asked to pick a favourite sound that he’s worked on, English producer and mixing engineer Tim Palmer nominates the radio speaker guitar intro from Pearl Jam's ‘Black’.

    Techniques Sep 2021
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    Remote Vocal-Ensemble Production

    We show you how to get great results from self‑recording singers.

    Techniques Sep 2021
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    Classic Tracks: Japan ‘Ghosts’

    Producers: Japan • Steve Nye

    Japan keyboard player Richard Barbieri tells the story of their most haunting hit.

    Techniques Aug 2021
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    How I Got That Sound: Chris Sheldon

    Oceansize ‘One Day All This Could Be Yours’

    English producer and mixer Chris Sheldon, when asked to pick a favourite sound that he’s worked on, nominates the drum sound he got with rock band Oceansize.

    Techniques Aug 2021

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