Reading the specifications of various mic preamps, I notice that the amount of gain that different models provide seems to vary quite a lot. How much gain do I realistically need for using run-of-the-mill dynamic and condenser mics?
What advantages are there to variable input impedance? • How can I extract loops from audio sample CDs? • Can I use the True Tape option in Cubase to prevent clipping? • Should I use S/PDIF or AES for long cable runs? • Can you have too much low-frequency absorption? • What's the best way to use the multiple filters on my soft synth?