Distortion can be a surprisingly useful mix effect, if you know what you're doing. Mike Senior reveals several common applications, and explains how to get the best results in practice.
Mike Senior delves into some of the most common troubleshooting tasks when dealing with acoustic guitar recordings at mixdown, and shares his own favourite processing fixes.
With spill between instruments and bleed from backline and monitors, live-performance recordings present unique mixing challenges. At London's PLASA show, Miloco Studios' engineer Jamie McEvoy explained how to get a great result.
His quest to capture the spirit of Avebury led former Radiophonic Workshop composer Steve Marshall to develop some unique experimental recording techniques.
Keeping the BBC’s flagship classical music show at the top of its game requires serious engineering skill — and the ability to cope with the unexpected!