From humble beginnings, Joey Sturgis has become a leading producer in the highly technical metalcore scene.
This month one of our engineers aims to augment the natural beauty of a baroque‑music duo playing in a church.
Front-of-house engineer David Williams talks to SOS about why mixing with a DSP audio interface is worthwhile, despite the dangers of using a laptop on stage.
'Papa's Got A Brand New Bag' was James Brown's statement of intent as he abandoned soulful ballads in favour of a raw and frenetic new sound.
Prefab Sprout rose to fame in an era of indulgence and eye‑watering studio budgets. These days, things are a little different...
I'm really interested in the vocal sound on Haim's debut album, Days Are Gone — could you tell me what sort of processing might be involved in this album?
Tomorrow's pioneering paean to the joys of communal public transport has proved to be a classic of the British psychedelic underground.
While Tom Petty and Jeff Lynne’s writing partnership was certainly successful, it was the partnership between Jeff Lynne and engineer Richard Dodd that gave the records their distinctive sparkle.
Proving that not every pop star is a manufactured creation, John Newman is as at home in the studio as he is on TV.
Engineer Eric Tomlinson recorded a host of classic soundtracks during his 40-year career, not to mention what's...
Tracks that I mix in my home studio tend to sound really bad in my car, but when I correct the mixes so they sound good in the car, they sound awful over my monitors — so what's going wrong?
Producer Phil Ramone was legendary for getting great vocal sounds. Here's how he did it — and how you can do the same.
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