Grammy-winning producer/engineer Vance Powell welcomes SOS to Sputnik Sound in Nashville to show us how he recorded a track for rock act Tyler Bryant & The Shakedown.
My outboard equalisers have no level or peak indicator, what would be the correct way to output the signal from my DAW (Logic) via an RME Fireface 800 audio interface?
I was listening to Conor Maynard’s YouTube cover of Shawn Mendes’ ‘Stitches’ and wondered if you could provide any insight into what he used to get that huge, rich vocal tone.
A project that was started to help unsigned bands show solidarity with victims of the Paris attacks has grown to unite musicians, artists and film-makers from around the world. And it’s not finished yet...
I’ve got to the point at mixdown where I’d usually be thinking about sending everything through a couple of global reverbs/delays with a view to simulating a soundstage. Would this have actually been possible for a mix engineer in that decade?
We sit down with Chambers and producer/engineer Richard Flack (Joe Strummer, Rudimental, Paloma Faith) in Guy’s beautifully equipped Sleeper Sounds studio in West London.