I need to do some recording of spoken word, using a cheap and cheerful lavalier mic, but it’s noisy — there’s a steady ‘hiss’. Is there some plug-in that can reduce said noise, perhaps by taking a sample of it and then adding it out of phase?
Soulful electronic artist/producer SOHN shows us how he layers up, edits and processes his own vocals, and uses Auto-Tune in an unconventional way to create ear-catching textural and percussive elements.
Grammy-winning producer/engineer Vance Powell welcomes SOS to Sputnik Sound in Nashville to show us how he recorded a track for rock act Tyler Bryant & The Shakedown.
I was listening to Conor Maynard’s YouTube cover of Shawn Mendes’ ‘Stitches’ and wondered if you could provide any insight into what he used to get that huge, rich vocal tone.
I’ve got to the point at mixdown where I’d usually be thinking about sending everything through a couple of global reverbs/delays with a view to simulating a soundstage. Would this have actually been possible for a mix engineer in that decade?
We sit down with Chambers and producer/engineer Richard Flack (Joe Strummer, Rudimental, Paloma Faith) in Guy’s beautifully equipped Sleeper Sounds studio in West London.