You've got four weeks left until your studio closes. How to make best use of that time? The Walkmen's answer was to recreate their favourite album, note for note, in all its drunken and shambolic glory.
When The Beatles' record company tempted their producer out of retirement for one last project, no-one had any idea how radical the resulting album would be.
Their combination of Southern soul and hip-hop gave Gnarls Barkley one of the biggest hits of the year, thanks in part to the mixing wizardry of Ben Allen.
The Scissor Sisters' first album, recorded in a Manhattan apartment, sold 3.5 million copies worldwide. The follow-up, Ta-Dah, sees them expanding their horizons, while keeping their DIY ethos very much intact.
After 17 years mixing almost everything that came out of Jam & Lewis's Flyte Tyme Studios, there's very little Steve Hodge doesn't know about making R&B records work.
Japan's YMO helped pioneer the use of electronic instruments and sampling. Now Uwe Schmidt, aka Señor Coconut, has used the same techniques to render their greatest hits as Latin dances, with contributions from all three original YMO members.
Morph The Cat, Donald Fagen's third solo album in 24 years, sees Fagen and engineer Elliott Scheiner continue their quest for the best possible sound quality — which, it seems, comes only from analogue recording.
The idea of bringing folk music up to date is not a new one, but few people have taken it quite as far as Jim Moray. His material may be traditional, but his approach to music technology is as modern as it gets.
David Gilmour's chart-topping solo album was recorded on his own Astoria houseboat, a floating slice of studio heaven. Engineer Andy Jackson describes the making of the album.