I have several cassette tapes of concerts and recitals recorded when I was at music college in the '70s, which I want to transfer to CD, cleaning up the recordings in the process.
I'm really interested in the vocal sound on Haim's debut album, Days Are Gone — could you tell me what sort of processing might be involved in this album?
I keep reading in your mic reviews about the sound being more natural when hitting a mic on-axis. Does this mean that there’s a risk of coloration with the ORTF technique right in the centre of the stereo image?
I recently bought an old analogue mixing desk, where all the channel and bus insert points are unbalanced, which is quite common, I think. But all my outboard gear has balanced inputs and outputs!
Tracks that I mix in my home studio tend to sound really bad in my car, but when I correct the mixes so they sound good in the car, they sound awful over my monitors — so what's going wrong?
The effects of recording to tape seem to be very subtle, with the so-called 'warmth' appearing to be largely due to the soft-saturation characteristics of the tape itself and other non-linear components in the signal chain.