Recording

Since emerging from the Liverpool music scene at the turn of the '80s, Ian Broudie has juggled parallel careers as an artist and a producer. He has a new solo disc in the shops, and with albums by the Coral and the Zutons riding high in the charts, his production services are in greater demand than ever.

Fed up with being treated badly by spoilt divas, engineer Mark Nevers abandoned the country music establishment to start his own studio, and has made a name for himself on the 'other side' of Nashville.

Nowadays, plenty of hit albums are recorded in bedroom studios — but Liam Howlett of the Prodigy has gone one better, by recording his latest in bed.

The Beach Boys' SMiLE album was to have been the pinnacle of Brian Wilson's groundbreaking recording and production achievements — but it was never completed. This year, in an extraordinary tale of emotional drama, tape-vault archaeology and recording technology, Brian finished it, debuted it live, and then re-recorded it in the studio. SOS brings you the full story...

Recent years have seen a revival in back-to-basics recording techniques, but few engineers or producers have taken things as far as Jim Sutherland did with Edinburgh folk-pop band Aberfeldy...

For his third album with Shania Twain, reclusive production legend Mutt Lange introduced an ambitious concept: different mixes and instrumentation for different markets. And as engineer Bob Bullock found, even the 'country' version left Nashville and its conventions pretty far behind...

With help from their galaxy of high-profile collaborators, Unkle have embarked on an ambitious attempt to reinvent dance music.

Cardigans producer Tore Johansson was thrown into unfamiliar musical territory when asked to produce the debut album by Scottish guitar band Franz Ferdinand, but the result was a commercial and artistic triumph.

Groundbreaking Southern rap duo Outkast head into 2004 with a fistful of Grammy nominations and a chart-topping double LP to their name. Their principal engineer and studio manager John Frye pulls back the curtain on one of the year's best records.

From hit solo albums to film soundtracks and remixes, Nitin Sawhney has turned his hand to almost every aspect of music production -- and his music is equally diverse, blending Indian and Western classical styles with rock, hip-hop and dance.

A heady blend of world music, dance and Irish folk, Afro Celts' music has been heard on film soundtracks and festival stages across the globe. Their latest album Seed was the first to be produced in their own studio, built in the Britannia Row premises that were once the home of Pink Floyd.

When label boss David Geffen teamed respected engineer 'Bones' Howe with an unknown and very strange songwriter called Tom Waits, he set in motion one of the great artist-producer partnerships.

Teenager Dylan Mills (aka Dizzee Rascal) captured the headlines in 2003 by winning the UK's Mercury Music Prize with one of the most uncompromising albums of recent times. Dizzee and engineer/manager Cage describe how they made Boy In Da Corner.

Since Lamb first came to prominence at the height of the mid-'90s trip-hop movement, Andy Barlow and Lou Rhodes' distinctive blend of electronica and organic songwriting has gone from strength to strength.

With their number one album Absolution, British three-piece Muse have established themselves as one of the most ambitious and innovative rock bands in the world — and in Rich Costey, they've found an engineer and producer who understands their aims and encourages them to experiment.

Over the last decade, Mouse On Mars have become one of the leading names in European electronic music. Their experimental approach brings together analogue and digital, lo-fi and hi-fi, real instruments and samples to create an organic-sounding whole.

With the death of producer Sam Phillips, the music industry has lost one of its greatest pioneers. In an interview given towards the end of his life, he looked back on his work with greats like Elvis Presley, Howlin' Wolf, Jerry Lee Lewis, Carl Perkins, Roy Orbison and Johnny Cash, most of whom were unknowns before they signed to his Sun Records label.

Liam Watson went against the grain to build a studio with the retro sound he loved. And now that sound is back in fashion, he's had a number one album with the White Stripes.

Kieran Hebden of Four Tet is a producer who puts the intelligence into Intelligent Dance Music.

The success of soul legend Solomon Burke's comeback album is a testament to the virtues of keeping things simple in the studio.

A gaggle of famous MCs, a star of the extreme sports world, and a laptop recording setup in a hotel bedroom: could the MuskaBeatz project show the way ahead for rap music?