A real labour of love, this neatly-zipped 893MB download file expands to nearly 1GB of data, comprising the 185-page e-book itself, 130 audio files, and 17 associated MP4 video tutorials that in themselves provide a total of 3.5 hours of viewing.
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In this book, Grammy Award-winning engineer Richard King reveals the nuts and bolts of his own recording, editing, and mixing methods for a wide range of classical ensembles.
In my experience, many SOS readers are, at least at some level, fairly technically minded and have an interest in how the technology they use works, especially in ‘classic’ instruments and devices. This book is designed to go a long way towards satisfying that ‘inner geek’ in all of us.
The author Michael Williams began his audio career as a BBC technician in the early 1960s, but he is better known today for his teaching and the many papers he has presented to the AES on the science of stereo and multi-channel mic arrays.
This book offers refreshingly concise advice on how to make great rock & pop recordings on a budget.
Much of the enjoyment and realism (or hyper-realism) of films, TV shows, radio programmes and computer games relies upon the skilful use of Foley.