Locomotive Audio WT-Comp | Audio Examples
The audio examples available on this page accompany my SOS April 2023 review of the Weight Tank compressor by Locomotive Audio. I’ve provided before and after examples along with the settings I used and a few thoughts on what I was trying to achieve with the compressor in each setting.
A mono drum room mic without any processing applied.
This is an example of the WT-Comp being used to add character and excitement to the drum room mic. The attack was on the fastest setting, the release set at 11 o’clock and the drive setting was engaged. Around 7-8 dB of gain reduction was applied.
A bass guitar captured via direct input without any processing.
An example of the WT-Comp used on a bass guitar DI to add more dynamic consistency. With upwards of 10 dB of gain reduction applied, you can hear how the compressor makes the part more solid but at the expense of a little low-end and a general change in tone. For this example, I had the drive setting engaged, the attack at 2 o'clock and the release at 3 o’clock.
An acoustic guitar recording with no processing.
With the WT-Comp in its ‘round’ setting this is an example of I used the review unit to make a strummed acoustic guitar part sit more confidently in a mix. The attack was set at 2 o'clock and the release at its fastest setting.
An example of a slightly driven picked electric guitar recording.
With the attack at 2 o’clock and release at its fastest setting, I used the WT-Comp to add more saturation and make the guitar part cut through the mix more easily. The drive setting was used and as much as 10dB of gain reduction.
An example of a female vocal recorded without any processing.
In this example, you can hear how the WT-Comp adds more weight to a female vocal. I found I had to tread quite carefully on vocals and this has just 3-4 dB of gain reduction applied with both the attack and release set at around 12 o'clock. This is in the ‘round’ setting.
An example of a Male vocal recorded without any processing.
For this example, I used the same settings as for the female vocal but with the drive setting engaged to add more harmonics to the vocal. I generally preferred the WT-Comp on male vocals that benefited from the extra low-end weight and a more coloured sound.