
Philip Rees C16
The new C16 offers 16 MIDI-assignable control faders for the thoroughly reasonable price of £150. Derek Johnson and Debbie Poyser love that feeling of control...
The new C16 offers 16 MIDI-assignable control faders for the thoroughly reasonable price of £150. Derek Johnson and Debbie Poyser love that feeling of control...
M Audio's Omni I/O interface allows 'Delta card' users to add mic amps, instrument inputs, insert points and monitoring capabilities to their existing systems. Martin Walker gets connected.
Paul White enjoys the creative potential of Alesis' distinctive and highly affordable new interactive effects processor.
There's no doubt that the best way to record an acoustic guitar is to mike it up using a high‑quality capacitor mic, but...
The latest addition to Eventide's acclaimed Ultra-Harmonizer range, the DSP7000, looks set to keep them at the forefront of digital effects technology. Hugh Robjohns checks out the machine that redefines the state of the art.
The XV88 is the first of Roland's new XV range of synths to sport a keyboard, and also adds all manner of real-time control facilities. Gordon Reid checks it out with two of the new SRX-format sound expansion boards.
The Korg DDM110 was one of the first digital drum machines to reach the mass market. Paul Sellars rediscovers its distinctive, punchy sound and revels in the simplicity of its programming...
Magma's ingenious PCI Expansion Chasses attach to portable computers via PCMCIA and allow you to run PCI audio, video and SCSI cards. Paul Wiffen tries out the latest model, which works with current Apple Powerbooks as well as PC portables.
The application of both traditional principles and some innovative electronic design work affords this dual-channel preamp impressive performance. Hugh Robjohns likes what he hears.
Many of you were caught out by our 1995 April Fool preview of a fictitious piece of software that could modify the musical style of a MIDI file to create specific emotions in the listener. Now, however, it seems that fact may have caught up with fiction. Martin Walker tries out Ntonyx's innovative Style Morpher.
Derek Johnson & Debbie Poyser test Fostex's new hard disk 24-track. The D2424 may not have quite the feature set of its two main rivals, but the facilities it does have may be very well targeted towards the intended users.
Want the sound of real drumming in your Cubase mixes, but find sample CDs too inflexible? Steinberg believe they have the answer. Sam Inglis tries out the first releases in the VST Drum Session series.
The Little Lanilei Rotary Wave is an ingenious attempt to offer the sound of a real rotary speaker system in a compact and...
Continuing their tradition of themed rackmount modules, Emu have unleashed a 128-voice virtual orchestra in a box. A virtuoso endeavour or virtual insanity?
Neumann have rejuvenated one of their most celebrated capsule designs, allowing Hugh Robjohns to bask in that unmistakable glow...
The Supernova modelling workstation earned a pile of accolades for its excellent 'analogue' sounds, superb multitimbral effects, and its user-friendly, knobular interface. But Novation have now withdrawn the original and replaced it with the Supernova II. Can something so good get better still?
Nicholas Rowland is star-struck by Roland's frankly fabulous new hand percussion controller.
Roland's new guitar synth is their most affordable yet, but could it also be the best?