Rating: ***** 5/5 Stars. The sounds in TXIII don’t veer too far from the previous versions. As well as raw WAV files (for direct dropping into your DAW), these are organised in 28 helpfully named Kontakt nki instruments.
Rating: 5/5 Stars. Featuring a folky line‑up of ocarina, two harmoniums, a bowed glockenspiel and a Swedish nyckelharpa, these are woven together in a set of unique hybrid sounds which include some fabulous electronic textures.
Rating: 5/5 Stars. This update features some brand‑new content with all the features and content of v2.0: an impressive collection of synth, pad, sound effect and drum options sitting alongside the vocals of Clara Sorace.
Rating: ***** 5/5 Stars. Drawing on composer Jeff Russo’s work for Star Trek: Discovery, Modus contains 21 ensembles recorded at Teldex scoring stage from up to six mic positions.
Rating: **** 4/5 Stars. Guitar Swell won’t replace your guitar player, but will help you produce a wide range of evocative sounds that might inspire you to take your compositions in a new direction.
Rating: **** 4/5 Stars. This cool virtual instrument will appeal to those looking for something a little different to spice up their virtual percussion arsenal.
Rating: ***** 5/5 Stars. This library features a rich close‑miked viola with the same depth of colour, wealth of articulations, and seamless ornamental transitions found in previous Emotional releases.
Rating: ***** 4.5/5 Stars. Oceania II is not an upgrade, but a newly recorded library with additional features. Its remit is exactly the same: full‑on Mens’ and Womens’ choir performances.
Rating: ***** 5/5 Stars. If you need driving short‑note string ostinatos heard in countless contemporary action‑film cues, Symphonic Motions serves them up at the touch of a key.
Rating: **** 4/5 Stars. Moonglades provides the user with a modest number of distinctive sounds that can be modified to a limited but useful degree via very simple controls.
Rating: ***** 5/5 Stars. The 3GB of sample content is divided amongst nearly 50 different bass and sub‑bass sounds and these are complemented by a further 50+ drones, noise layers and ‘attack’ sounds.