Samplers / Sampling

David Mellor explains why he abandoned his hardware sampler in favour of Digidesign's computer based sample playback card, and takes a look at what you need to make it into a fully fledged sampling setup.

Emu took up the opportunity of a whistle-stop Autumn press tour to announce new products — including their lowest-priced sampler to date — which set the company's agenda for the coming months. Derek Johnson previews the new kit on the block.

Emu took up the opportunity of a whistle-stop Autumn press tour to announce new products — including their lowest-priced sampler to date — which set the company's agenda for the coming months. Derek Johnson previews the new kit on the block.

The S760 sampler represented excellent value for money on its release back in February this year. Now it looks even more impressive, with the arrival of the OP760/1 expansion board and the v.2.12 system software. Paul Wiffen checks them out.

Sampled piano aficionados know the particular problems involved in constructing a good loop of this essential instrument. Craig Anderton passes on a personal solution.

The TX16W was about to go down in the annals of electronic instrument history as a brilliant-sounding sampler handicapped by a pig of an operating system — until a group of Swedish users took matters into their own hands. Duncan Werner investtigates the ultimate in third-party development.

You don't have to stick to library samples all the time, and you needn't spend hours creating your own. Paul White reveals a few short cuts.

A large, painstakingly assembled sample library is of little use if it's so badly organised that you can't separate your tablas from your trumpets. Dave Stewart gives some tips to help you make your library a model of accessibility.

Roland's latest offering in the 16-bit sampler stakes is more compact, more expandable, and less expensive (by a fair margin) than its predecessors. But have they had to make significant omissions to achieve this? Paul Wiffen investigates.