SOUND ON SOUND
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The latest arrival to the Volt series becomes the first to occupy a rackmount chassis, ups the I/O count significantly, and pairs its eight onboard mic preamps with eight 1176-style compressors.
Building on the legacy of the iconic TR-808 and TR-909, the TR-1000 Rhythm Creator combines a selection of true analogue drum voices with the latest advancements in digital sampling and processing, all complemented by a performance-focused interface.
Solid State Logic dust off the blueprints of their E-series console to create a classy channel strip.
Designed with immersive audio in mind, the Symphony Studio is also a top‑class all‑round audio interface.
Bitwig’s first hardware product takes a characteristically individual approach to audio interfacing.
This unusual‑looking microphone is designed specifically for Decca Tree arrays.
Fifty years after Don Buchla first released his portable electronic music studio, is the world finally ready for the Music Easel?
Cranborne say their Brick Lane is the fastest compressor in the West — but it’s also capable of modelling the characteristics of classic opto, FET and valve units, and much more.
Ducking your reverbs and delays can bring greater clarity to your vocals.
Expressive E’s trademark physical modelling paired with MPE control delivers an extremely playable instrument.
Not only does this compact pedal offer convolution reverb — it can also capture impulses from your hardware 'verbs or room mics.
American‑born producer, engineer and mixer Dave Sardy has worked with household names including Bush, Johnny Cash, Oasis and The Who. A favourite sound from his impressive discography is the guitar drone on ‘(Get Off Your) High Horse Lady’ from Oasis’ 2008 album Dig Out Your Soul.
Five years in the making, Netflix’s smash hit animated movie tested its music production team to the limit.
Recording a band live in the room is always a challenge — especially when it’s led by a jazz legend who switches instruments without warning!
Digital modelling has become so powerful that you might think there wasn’t much mileage left in the idea of analogue emulation. If you can accurately mimic some piece of vintage gear in a few lines of code, why bother developing and building complex analogue circuits to do the same thing?
Stem Splitter is an amazing feat of technology, but is it actually useful? The answer is a resounding "Yes!"
Built entirely from percussion sounds, but not for percussion, Dream Kit: Zenith is a synth like no other.
IK Multimedia’s Prism Reverb is a creative reverb that IK claim goes “beyond shimmer” to deliver “a new dimension of sound”. A bold claim, so let’s see how it stacks up...