Lauten Audio’s latest behind-the-scenes video
Lauten Audio’s new video sees the company head to Studio 606, where a collection of their mics were put to work on a drum recording session with Trevor Lawrence Jr. & Alex Pasco.
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Lauten Audio’s new video sees the company head to Studio 606, where a collection of their mics were put to work on a drum recording session with Trevor Lawrence Jr. & Alex Pasco.
We follow sE Electronics on the highway to the pressure zone.
These audio examples accompany our review of the BL8 Boundary Mic from sE Electronics.
In the first of this two-part series, David Mellor gives us an introduction to mic polar patterns.
A valuable test for recording engineers, David Mellor gives examples of different mic types to emphasise the importance of knowing your mic collection in detail.
The latest addition to the Earthworks line-up is a new capacitor mic designed specifically for kick drum duties.
Cloud’s stylish RCA‑inspired ribbon microphone has enjoyed a dark reboot.
Using more than one mic on a source can expand your sonic horizons — but it can also lead to problems. We explain when multi‑miking is and isn’t a good idea.
These audio files accompany the Multi-miking article published in SOS February 2024.
Aim Audio are a new pro audio brand launching with a pair of innovative mics and a custom shockmount/pop shield system.
The new iRig Stream Mic USB makes many of the features found in their popular iRig Stream Mic Pro available at a lower price point.
UK microphone makers Sontronics have been acquired by 2B Heard Limited, an audio solutions company renowned for their premium installation services.
It might not look like a classic ribbon mic, but there’s a lot more to Extinct Audio’s BoRbon than meets the eye.
The FlexBar can make all sorts of dual‑mic placement jobs quick and easy.
Bring studio sound to the stage with these live‑oriented capacitor microphones.
The 1960s: a time of sexual revolution, radical politics and microphones with built‑in spring reverbs.
Rode have announced the acquisition of American pro audio manufacturer Mackie.
There’s something for everyone in beyerdynamic’s classic M Series microphone range.
What are the typical tolerances (say, in milliseconds) for acceptable differences between a pair of drum overheads?