Step Time
A system for programming a sequencer in non-real time.
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A system for programming a sequencer in non-real time.
By convention, two channels of related audio which can create the impression of separate sound source positions when auditioned on a pair of loudspeakers or headphones.
The angle over which sound sources can be captured by a microphone array. For a stereo array with a stereo recording angle of 90 degrees, sound sources can be placed ±45 degree relative to the array’s centre front axis, with a source at the extreme angle appearing fully left or right in the stereo image.
A problem affecting some brands of analogue tape after a long time in storage. A breakdown of the binder causes the oxide to shed, and the tape tends to adhere to the tape heads and guides when played. A short term cure can be affected by baking the affected tape.
The practice of recording a time code signal onto one track of a multitrack tape machine to facilitate subsequent synchronisation.
Frequencies below the range of typical monitor loudspeakers. Some define sub-bass as frequencies that can be felt rather than heard.
Hidden data within the CD and DAT format that includes such information as the absolute time location, number of tracks, total running time and so on.
The process of creating a new sound by filtering and shaping a raw, harmonically complex waveform.
A specific type of efficient loudspeaker system intended to reproduce only the lowest frequencies (typically below 120Hz).
A sudden increase in mains voltage.
The use of multiple loudspeakers placed around the listening position with the aim of reproducing a sense of envelopment within a soundstage. Numerous surround formats exist, but the most common currently is the 5.1 configuration in which three loudspeakers are placed in front of the listener (at ±30 degrees and straight ahead), with two behind (at ±120 degrees or thereabouts), supplemented with a separate subwoofer.
Part of the ADSR envelope which determines the level to which the sound will settle if a key is held down. Once the key is released, the sound decays at a rate set by the Release parameter. Also refers to a guitar's ability to hold notes which decay very slowly.
See Gooseneck.
The optimum position for a microphone, or for a listener relative to monitor loudspeakers.
(Also SMPS) A type of power supply that uses mains power to drive directly a high frequency oscillator so that a smaller, lighter transformer may be used. These power supplies are commonly used because they can be made to accept a wide range of mains supply voltages, and are thus universal.
A system for making two or more pieces of equipment run in synchronism with each other.
The creation of artificial sound.
An electronic musical instrument designed to create a wide range of sounds, both imitative and abstract.
(System Exclusive) A part of the MIDI standard that allows manufacturers to define their own specific message formats, commonly used to dump and load a specific product’s patch data.
A system designed to enable voice communication between rooms.