Reverberation Time
The time taken for sound waves reflecting within a space to lose energy and become inaudible. A standard measurement is ‘RT60’ which is the time taken for the sound reflections to decay by 60dB.
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The time taken for sound waves reflecting within a space to lose energy and become inaudible. A standard measurement is ‘RT60’ which is the time taken for the sound reflections to decay by 60dB.
An abbreviation for Radio Frequency.
Unwanted interference into an audio system from external RF signals.
An alternative form of capacitor microphone which uses the capacitive capsule as the tuning element of a radio-frequency oscillator. Sound waves arriving at the capsule change its capacitance, which varies the frequency of the RF oscillator to produce an FM signal. This is immediately demodulated by the microphone's internal circuitry to produce the audio output. The advantage of this approach is that the capsule works in a very low-impedance environment (as opposed to the very high-impedance environment of a traditional DC-biased and Electret capacitor mics), making it immune to the effects of humidity which can cause unwanted noise in conventional capacitor mics. This technology was invented by Sennheiser and is used in their MKH range of microphones.
A dynamic microphone where the sound capturing element is a thin metal ribbon diaphragm suspended within a magnetic field. When sound causes the ribbon to vibrate, a small electrical current is generated within the ribbon.
A set of requests/demands that an artist or band (or their management) ask of the hosting venue as criteria for performing. A Technical Rider would typically specify the size and layout of staging, required equipment for lighting (truss weight limits, power requirements, numer of follow-spots, lighting plots or designs, etc) and sound (input channel counts, PA power, number of monitors, effects, DI boxes, backline amps and instruments, quality of equipment etc) and possibly also the operating and rigging staff provided. A Hospitality Rider is a list of requests to ensure the comfort of the artist(s), such as the number of dressing rooms, private bathroom/shower, food and beverage requirements, a number of complimentary (comp) tickets for guests, security arrangements, and so on. There may also be additional riders covering other aspects such as a Merchandise Rider detailing the space and stands provided for selling merchandise, the rates, exclusivity rights, and so forth.
A device that accepts and processes two input signals in a particular way. The output signal does not contain any element of the original input signals but instead comprises new frequencies based on the sum and difference of the input signals' frequency components. The best known application of Ring Modulation is the creation of Dr Who’s Dalek voices, but it may also be used to create dramatic instrumental textures. Depending on the relationships between the input signals, the results may either be musical or extremely dissonant - for example, ring modulation can be used to create bell-like tones. (The term 'Ring' is used because the original circuit which produced the effect used a ring of diodes.)
Root Mean Square. A statistical measure of the magnitude of a varying quantity. Its name comes from its definition as the square root of the mean of the squares of the values of the signal.
The rate at which a filter or equaliser attenuates a signal once it has passed the turnover frequency.
Read Only Memory — A permanent or non-volatile type of memory chip containing data that can't be changed once programmed. Operating systems are often stored on ROM as the memory remains intact when the power is removed.
Acoustic resonances within an enclosed space or room. These occur at specific frequencies where the source sound is reflected from the room's boundaries to reinforce and/or cancel with itself to create standing waves. This results in some areas in the room with very boomy or exaggerated pitches, and others where the pitch may be almost completely absent. The resonant frequencies involved relate directly to the sound wavelength and room dimensions, and is particularly prevalent at low frequencies.
A hardware controller comprising a knob or dial which can be rotated in either direction without end-stops. A digital encoder of some kind attached to the shaft translates the movement into a digital code that can indicate both direction and speed of rotation to the controlling software of a device.
A copy or clone of an original tape for use in case of loss or damage to the original.
Either a defined short piece of audio which can be replayed under MIDI control; or a single discrete time element forming part of a digital audio signal.
The number of times an A/D converter samples the incoming waveform each second. The sample rate must be more than twice the highest frequency to be encoded — according to the Nyquist Theorem.
(S&H) - Usually refers to a feature whereby random amplitude values are generated at regular intervals and then used to control another function such as pitch or filter frequency. Sample and hold circuits were also used in old analogue synthesizers to 'remember' the note being played after a key had been released.
So called because it resembles the teeth of a saw, this waveform contains both odd and even harmonics.
As analogue recording tape moves across the heads or other non-moving parts in the tape path it can vibrate at a high frquency (typically above 100Hz) due to a rapid stick-slip action, and this causes a form of intermodulation distortion. Often mechanical dampers and rollers are placed in the tape path to prevent scrape flutter.
A term taken from the practice of editing analogue tape where the tape was manually dragged back and forth across the replay head to locate the required edit point using an action similar to the cleaning action of 'scrubbing'. The term is now routinely used in DAWs and audio editing software platforms where the audio is played forwards or backwards at variable speeds, usually to locate an edit or cue point. A Jog Wheel is often used as the hardware controller for scrubbing.
Pronounced 'Skuzzy', it is an abbreviation for Small Computer Systems Interface. A now obsolete interfacing system for using hard drives, scanners, CD-ROM drives and similar peripherals with a computer. Each SCSI device has its own ID number and no two SCSI devices in the same chain must be set to the same number. The last SCSI device in the chain should be terminated, either via an internal terminator or via a plug-in terminator fitted to a free SCSI socket.