SOUND ON SOUND
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Electro-house is probably one of the broader house/dance sub‑genres and this download pack by Platinum AudioLab aims to plug...
Qanûn is part of Sonokinetic's range of Arabic sampled instruments, which also includes Ney and Kemence.
The Jennings Univox was a valve‑based monophonic synthesizer manufactured during the 1950s and '60s.
Zero‑G's Epica is undoubtedly a labour or love by producer Sam Spacey. The library has been nearly three years in the making!
Audio files to accompany the article.
The affordable sE Electronics sE X1 capacitor microphone is now available with an onboard USB converter, so that it can be...
Recreating tape‑speed effects in Sonar X3.
Paul Soulsby's debut product is a small synth of violently unrestrained character.
For many decades, London's North West has been home to more than its share of important recording studios.
Studio One supports many varieties of time‑stretching.
This month, we take on some computer glitching problems and fix up the acoustics in a newly completed loft conversion.
Tannoy Reveals have long been popular with home-studio owners on a budget. Do these latest iterations retain the qualities that made their forebears so successful?
We investigate an experimental system that promises to retrospectively add Yamaha CS80-style expression control to any keyboard.
Turbosound have upgraded their established Milan range, with the help of some technology borrowed from sister company Klark Teknik.
Acon Digital's reverb plug-in looks simple, but is it effective?
Does the VSP2's build quality and performance justify its high-end price tag?
Could this comparatively affordable passive EQ with valve make-up gain actually be better than the revered Pultec unit that inspired it?
In the world of live sound, the tablet revolution is much more than just hype: it really does have the potential to turn front-of-house mixing on its head.
When computers first came on the scene, many musicians were scared away by the apparent complexity and retreated to their cassette Portastudios.
Is Bitwig Studio's fresh take on clip-based music production different enough to tempt users away from established rivals?