Eventide Omnipressor & 2016SR
Eventide are among the last of the big-name hardware manufacturers to offer their wares as native plug-ins. Has it been worth the wait?
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Eventide are among the last of the big-name hardware manufacturers to offer their wares as native plug-ins. Has it been worth the wait?
Come with us on a journey through time and space, as we explore the mysteries of Eventide’s remarkable new effects pedal...
You’d think a digital effect processor’s brilliance might have been eclipsed somewhat in the last decade, but Eventide have made significant software changes that keep this one fresh, relevant and desirable.
These flexible effects pedals from the makers of the original Harmonizer are equally at home on stage and in the studio, with guitar, keys or even a mixing desk.
This classy stomp box is much more than a guitar effect, and it is equally impressive on stage and in the studio.
Eventide have announced a new RTAS plug-in called E-control, which provides real-time control over the company’s...
Little Labs' Redeye gets the GT once-over, while we also offer some handy tips and look at the latest ppedals from Eventide.
Eventide's range of high-quality Pro Tools plug-ins continues to grow, and the new Anthology II bundle collects together no fewer than 15 separate effects and processors.
I have several phasing and flanging plug-ins, and the same effects on my Korg Triton. While not identical, the two effects...
Eventide's classic SP2016 reverb unit has been recreated and enhanced by the original designer. But how does the sound match up to high-spec multi-effects units of today?
Eventide's first foray into the world of plug-in effects sees them recreating five of their classic '70s processors. But is there still a place for them in today's studios?
Eventide's new entry-level unit brings their high-end algorithms within reach of the serious home studio owner.
The latest addition to Eventide's acclaimed Ultra-Harmonizer range, the DSP7000, looks set to keep them at the forefront of digital effects technology. Hugh Robjohns checks out the machine that redefines the state of the art.
The first single from the Manic Street Preachers' This Is My Truth Tell Me Yours album entered the UK charts at no.1 — even though the band had adandoned their traditional power‑chord approach in favour of acoustic guitars, string machines and unusual synth effects. We talk to Dave Eringa, the producer who oversaw this successful change of direction.
Eventide, the undisputed masters of digital pitch-shifting, have launched a limited-edition version of their industry standard DSP4000. Is it just window dressing, or does it have anything genuinely new to offer? Hugh Robjohns finds out.