Sony Audio Master Suite
New versions of Sony's Sound Forge and, especially, the innovative SpectraLayers make possible new ways of editing recorded audio.
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New versions of Sony's Sound Forge and, especially, the innovative SpectraLayers make possible new ways of editing recorded audio.
Like many of Sony Oxford's plug-ins, their new limiter takes a familiar concept and applies a novel twist.
Sony's Oxford digital mixers are out of many people's reach, but Pro Tools and Powercore users can now get their hands on the Oxford's sophisticated processing tools.
R3 comprises a five-band, fully parametric EQ design plus switchable-slope, variable-frequency high and low-pass filters.
With Sony's flagship sampling reverb processor you can now sample the acoustic signature of any space you want. Hugh Robjohns nips down the village hall to check it out.
One of the most exciting developments in sound processing technology this year was the announcement from Sony of a dedicated reverb unit which applied ambience 'sampled' from real acoustic spaces. Now the theory is reality. Hugh Robjohns gets his hands on the DRE S777.
Artificial reverb algorithms are designed to add 'fake' room ambience to recorded sounds — but a prototype reverb unit from Sony purports to deliver new levels of realism by imposing the characteristics of actual reverberant spaces on the sound. Hugh Robjohns explains....
Sony's new mid-priced multi-effects unit boasts four-channel operation, 200 preset effects algorithms, comprehensive user programming capability, and great sound quality to boot. Hugh Robjohns spins that dial...
Sony's DPSV77 is like a 'best of' compilation of all the company's dedicated single effects units, with the addition of a simplified user interface and a digital I/O. Is it a smash success or a one-hit wonder? Nick Magnus goes for gold...
What can Sony's new effects processor offer that its competitors don't already have? Paul White took the new Sony HR-MP5 into his studio to find out.