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Arbiter announce huge savings on Steinberg software for a limited time only
Track Presets might not add anything to the sonic possibilities offered within Cubase 4 but Steinberg have been very keen to blow this particular marketing trumpet. So just what can Track Presets do for you?
The new version of Cubase is all about big ideas, including a completely new way of working with tracks, plug-ins and virtual instruments.
Limitations to Cubase's audio routing and audio export facilities have always been frustrating, and are still present even in Cubase v4. Thankfully, there are some free or inexpensive third-party solutions...
Cubase's Tempo Editor offers some powerful ways to manipulate tempo and time signatures in your Projects. This month we take a detailed look at these features.
The acoustic guitar has its place in almost every style of contemporary music. So how can you use the processing tools of SX to help find the right place in your mix for all that strumming and picking?
We find out how well Steinberg's new take on the virtual orchestra conducts itself...
Cubase SX supplies us with a comprehensive set of editing tools, but the manner in which they can be used varies enormously — and also depends upon the task at hand...
There have been some famous twin-guitar line-ups in rock history and, even if you can't strum a note, you can now have the virtual equivalent — both of these software instruments will play on time and in tune, and won't want a solo in every song! But are they both equally good?
When sequencers first allowed you to record musical notes in real time, one of the features that became ubiquitous in all systems was quantisation. Here we take a look at how quantise has evolved and is currently used in Cubase SX.
This month we continue exploring Cubase's automation features with a look at the different modes available to SX users, and the issues you'll face when using automation and MIDI Controller data on MIDI Tracks.
Steinberg's latest software instrument comes complete with 1250 orchestral patches
When Cubase VST became Cubase SX, one of the big improvements was a better automation system for audio-based tracks and channels. This month, we show you how to make the most of this newer system.
Wavelab's latest tricks include a revolutionary Spectrum Editor, which allows you to identify problem areas in your material visually before applying extremely precise restoration processes.
While mastering in a home or project studio is unlikely to produce the very best results, Cubase SX does have some basic tools for those who want (or have) to adopt a DIY approach.
If you like Cubase's sequencing capabilities but prefer to mix your projects in another application (eg. Pro Tools), we show you how to get your soft-synth parts from one app to the other.
We delve into the Boolean operations in the Logical Editor, offer some tips for entering numeric values in the Transport Panel, and take a first look at Cubase running on dual-processor, dual-core systems.
The new version of Steinberg's virtual sound module brings more and better instruments, without sacrificing convenience or ease of use.