SOUND ON SOUND
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Cubase SX's MIDI Device Manager provides a way of choosing patches and banks on your external MIDI hardware by name rather than by number. We look at how to create your own MIDI Patch Name Scripts to make this possible.
It's just a jump to the left, and then a step to the right. With your hands on your hips, you bring your knees in tight. But it's the pelvic thrust that really drives you insane. Let's do the time-warp again?
Hot on the heels of the Cubase System 4 hardware and software recording system, Steinberg have produced an even more affordable package — Cubase System 2.
The Key Editor is a seemingly straightforward MIDI editor, yet under its surface lie a number of features that can really speed up your editing tasks. We explain, as well as reporting on the new version 2.2 Cubase update.
Buying your hardware and software from the same manufacturer is usually a good bet for hassle-free recording. Steinberg's latest package bundles their Cubase SL 2 sequencer with a four-in, four-out USB interface.
If you get that sync'ing feeling when using Cubase in conjunction with external hardware devices, you may need to know more about its synchronisation options. We explain what's what.
Continuing our exploration of surround sound in Cubase SX 2, this month we turn to using stereo and multi-channel plug-ins in a surround mix.
As more musicians and audio engineers begin to explore the potential of surround sound in project studios, we take a look at Cubase SX 2's revised multi-channel architecture, which gives it advanced surround capabilities.
While Cubase's graphical environment makes the application easy to use, it's not always clear exactly where signals are being routed. This month, we open the virtual bonnet and take a look at signal routing in the VST 2.3 audio engine used in both Cubase SX and Nuendo 2
Cubase Notes offers a quick guide to speedy importing and editing of audio CD loops in SX.
Steinberg have made available the results from a set of uniform Cubase SX tests that pitted different computers against each other — but what does it all mean for your choice of processor?
Until its recent update, Cubase SX did not have all the specific tools needed for easy tempo changes when, for example, working to picture — but a close look at the tools it does have reveals ways of getting the job done for those who haven't yet upgraded.
We look at how you can get the most out of Cubase and Reason using Rewire, and report on the release of the significant, yet seemingly insignificant, Cubase SX 2.01 revision.
We report on Steinberg using Nuendo to record a three-day music festival, and look at how a Cubase Drum Map can assist you in finding and working with all the one-shot drum and percussion sounds in your studio.
This first major revision to Steinberg's Cubase SX incorporates the newly developed audio engine from Nuendo 2, new features for media composers, and classic features from Cubase VST. Does it all add up to a substantial improvement over version 1?
I have recorded an acoustic guitar into Cubase SX, both with a mic and DI'd. As I had expected, there are some phase issues...
The Drum Editor has been a part of Cubase for over 10 years now, and here we investigate its latest incarnation within Cubase SX, as well as bringing you news of a major update to Steinberg's popular sequencing software.
Filters are at the heart of many of the weirder sequencer plug-ins, so here we check out what each one has to offer, and how you can obtain weird and wonderful sounds for your mixes.
Your computer screen really doesn't need to be cluttered when you're working with Cubase's many windows, because Steinberg have provided handy window-management features.
Since its first release three years ago, Nuendo has raised a great deal of interest among those who need a professional audio production tool, and with Nuendo 2, Steinberg have developed one of most ambitious native-based audio systems yet seen. But in an industry dominated by Digidesign, will it be enough to lure potential users away from their Pro Tools rigs?