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Midex 3 is a one-in, three-out USB MIDI interface employing their Linear Time Base technology, first used in the larger Midex 8.
The flexibility of the effects assignment in modern MIDI + Audio sequencers (DAWs) can be daunting, so here's some advice on how to sort out the routing and order of your plug-ins for common recording and mixing tasks.
The current extent of software piracy poses a serious threat to the economical stability of the software companies on whom we rely...
This month, we explain how to eliminate phase problems in Cubase's Audio Editor, and round up some interesting new plug-ins.
When you work with a complex program such as Cubase VST, it's easy to overlook the hundreds of small features that are there to make your life easier.
Can Steinberg's professional recording package make an impact in the Pro Tools-dominated Macintosh market? Sam Inglis finds out.
Last month we explained how to derive a Cubase tempo from freely played MIDI. This time, we look at how to extract tempo data from unmetricised audio...
Software samplers are not new, but until now they have only existed as stand-alone applications or sequencer-specific plug-ins. Paul Sellars investigates Steinberg's HALion, which offers close integration with Cubase VST, but can also be used as a VST-format plug-in from other sequencers.
This month, we explore the murky world of Cubase's Master track in a bid to teach it the tempo of a MIDI part. There's also some hot news about updates and an excellent shareware reverb plug-in, as well as the usual tips and tricks.
Steinberg's new Houston hardware controller certainly looks space-age, but is it a small step or a giant leap for the 21st-century computer musician? Martin Walker takes his protein pills and puts his helmet on...
More wise words on using Cubase's Score editor this month, as we explain how to create a musical score in which several voices share a single stave. There's also the usual assortment of handy editing tips...
This month we focus on the score editor in Cubase VST Score and Cubase VST/32, and offer a handy tip for recovering corrupt Songs.
This month's crop of Cubase tips covers the multitude of options available when exporting audio, plus ways of incorporating external MIDI instruments and effects into your mix.
Musicians using Mac and PC sequencers often complain about loose MIDI timing. Martin Walker checks out an interface from Steinberg which should solve this problem — at least for users of their sequencing software...
This month's Cubase Technique introduces more features of the Interactive Phrase Synth, offers some handy hints on merging MIDI Parts, and provides some words of bitter experience on creating your own instruments in Steinberg's LM4 drum machine.
The Interactive Phrase Synthesizer is one of those parts of Cubase that most of us know exist, but which few have actually used. We take a look at what it can do, as well as offering some handy tips on setting up loops and introducing the idea of controlling your computer remotely...
The facilities that Cubase offers for manipulating note legnths may not be amongst its most exciting features, but as this month's Cubase Notes demonstrates, they can prove to be invaluable.
The Studio Module allows PC and Atari users to select configurations and patch names for their synths within Cubase. Paul Nagle guides you through the basics of creating a Studio Module setup.
Continuing his in-depth explaination of the Logical Edit functions of Cubase in Easy Mode, Paul Sellars looks this month at the role of the Processing stage settings, in conjunction with the Filter and Function operation, before moving on to the greater complexities of Expert mode...
This month's Cubase tips column focuses on one of the sequencer's most powerful but under-used features, the Logical Edit function. Paul Sellars begins a two-part explanation of its operation.