SOUND ON SOUND
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One of the audio industry’s largest manufacturing groups, Focusrite, is taking the lead in tackling green issues.
What can audio equipment manufacturers do to minimise their impact on the environment? We look for answers in the forests of Finland.
SOS visits the world’s most famous studio, Abbey Road, to discover how the ones and zeros in a digital recording get turned into grooves on a vinyl record.
LEWITT Audio chat to Hugh Robjohns about their approach to developing, innovating and engineering their range of home, studio and live microphones.
Paul White and Hugh Robjohns engage in a lighthearted discussion about what peeves and annoys them about today's music software and recording hardware.
CEDAR Audio has led the world in audio restoration and noise suppression for over three decades. We find out more about their ground-breaking technologies.
Hugues Vinet, of the IRCAM electronic music institute in Paris, talks to Paul Tingen about their work in software, sound design and AI composition.
David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.
It's 10 years since Focusrite launched their best-selling Scarlett range of audio interfaces, now into its third generation. CEO Tim Carroll and Will Hoult, Head Of Product at Focusrite and Novation talk to Sam Inglis about what's behind the success of the Scarletts.
Daniel Blackmer, Director of Engineering at Earthworks Audio, explains the company's distinctive approach to microphone design.
René Mørch of DPA Microphones chats to Sam Inglis about DPA's involvement in the NASA Mars 2020 mission.
Integrated circuits are fundamental to today’s studio hardware. And when the semiconductor industry sneezes, the music business catches a cold...
In the 20 years since its introduction, AMS Neve’s 88R has proved that there is still a market for top-flight, large-format analogue consoles. In this episode, Robin Porter tells Sam Inglis how Neve built upon their design heritage to create what might be the ultimate analogue mixer.
Antelope Audio founder Igor Levin chats to Sam Inglis about their distinctive approach to audio interface design. We find out how Antelope’s innovative use of FPGA technology has enabled them to deliver impressive signal processing power.
Paul White chats to Nate Baglyos and Charles Sprinkle of California-based speaker manufacturers Kali Audio.
Siamäk Naghian and Andy Bensley of Genelec chat to Sam Inglis about the 43 year history of the company, the development of new technology and future sustainability.
Tony Agnello and Richard Factor chat about the 50 year history of Eventide, from their groundbreaking use of digital technology in the early ’70s to the modern challenges of adapting their algorithms for plug-ins and stompboxes.
Richard Wear of Interfacio talks about the opportunities that exist within the pro-audio industry and how to improve your chances of finding a career within this field.
Adam Shepard of ADAM chats to Sam Inglis about the distinctive technology at the heart of ADAM's loudspeakers and explains how they've achieved so much in a mere five years!
Developing a new plug‑in is never straightforward. We go behind the scenes to follow the process from idea to finished product.