Off The Record
Under new leadership, the AES could once again find itself at the vanguard of technology.
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Under new leadership, the AES could once again find itself at the vanguard of technology.
Power corrupts. And absolute power terrifies...
We take a look at the former EMI Electrola studios in Germany.
Everyone’s patience has limits — but as a professional, you should never reach them.
The MP3 may not be the perfect medium, but music has survived on far, far worse...
Housed in an old cinema in Stockholm, Atlantis Studios is a very special place even by the standards of our Studio File series.
Smartphones and tablets are giving artists new ways to explore multimedia. Does the ‘album app’ have what it takes to rekindle music sales?
Credits can be a vital resource to the media composer, but they can also be a ball and chain.
Historic studios might hold emotional value for us, but they are, after all, still only buildings.
Only a very few studios in the world are capable of accommodating the largest recording gigs.
First mastering went online, now it's becoming automated. Should we be afraid?
We might be used to rapid technological change – but is our audience?
Building a high‑end recording studio has always been an ambitious goal. A studio is a complex organism, and substantial...
Jimmy Iovine used to sweep up recording studios. Can he clean up the record business?
The greatest enemy of original music in TV and film is, well, the original music.
Though its design consciously looks back to the '60s, State Of The Ark has only been open to the public as a commercial studio for seven years.
The sports and music industries make better teammates than you might at first think.
Music commissioning has always been squalid. But today's composers get a fairer deal than Mozart ever did.
Hollywood remains arguably the recording capital of the world, housing as it does a staggering number of world-class facilities.
Movies about music are undoubtedly good for the record industry, but is the favour returned?